Garouste and Bonetti

The beginnings:

Elizabeth Garouste and Mattia Bonetti began their collaboration in the early 80s with the decoration of the Privilège, the restaurant of the famous Parisian nightclub, Le Palace.
The gallery En Attendant les Barbares edited their first creations.
Turning their backs on the aesthetic of the moment, their inspiration was surprising and iconoclastic, in turn primitive, poetic, baroque, ultra sophisticated or with a kitsch connotation.

The consecration:

Leading a movement followed by many other designers, they reintroduced the use of fine craftsmanship and materials in the design world.
This “tailor-made” method of production by the finest craftsmen made it possible to decline the dimensions and finishes of the pieces produced, thus reviving the great tradition of French Decorative Arts
Their wrought iron pieces, edited by En Attendant les Barbares, are made by Pierre Basse, ex-ironworker of Diego Giacometti, who works exclusively for the gallery.
In 1987, their decoration of the Haute Couture house Christian Lacroix gave them international notoriety.
They carried out a series of projects in a wide variety of fields: from Bernard Picasso’s castle to the Montpellier tramway, from the Ricard decanter to the packaging for the Nina Ricci range of make-up.

The separation:

The Creator of the Year award at the Salon du Meuble was awarded to them in 1991.
In 2001, just after a retrospective exhibition at the Grand Hornu Museum, Brussels, they split up after a final joint creation for En Attendant les Barbares, the Hi-Ti lamp, an abyss of the Lampe Masque from their beginnings, edited by this same gallery.
Over time, their signature has become a classic sought after by collectors and reached heights in the auction room, while the gallery continues to publish pieces by this iconic duo from the end of the 20th century.

 

Exhibitions:

1980 : Galerie Jansen Paris
1982 : Galerie Furniture of the XX° century, New York
1984 : Galerie Via, Paris
1985 : Musée des Arts Décoratifs de Bordeaux
1985 : Fondation Cartier, Jouy en Josas
1985 : Musée des Beaux Arts de Dunkerque
1986 : Kunstmuseum, Dusseldorf
1986 : Galerie Shiseido, Tokyo
1986 : Biennale de Venise
1987 : Hotel de Ville de Villeurbanne
1988 : Victoria and Albert Museum, Londres
1988 : Centre Pompidou, Paris
1989 : Musée de Tel Aviv
1989 : Galrie Seibu, Tokyo
1990 : Musée des Arts Décoratifs
1991 : Galerie Colonna, Hanovre
1991 : Galerie En Attendant les Barbares, Paris
1991 : Galerie Alcazar, Milan
1993 : Galerie Show House, New York
1993 : Galerie Wohngalerie Tendenz, Innsbruck
1994 : Centre d’Art de Sundern, Allemagne
1994 : Galerie David Gill, Londres
1996 : Centre d’Art Contemporain, Meymac
1996 : Fondation Paullne Karpidas, Hydra
1996 : Galerie Néotu, Paris
1997 : Centre Pompidou, Paris
2001 : Le Grand Hornu, Bruxelles,
1991 : Galerie En Attendant les Barbares, Paris
1998 : Musée Guggenheim, New York
1999 : Galerie En Attendant les Barbares, Paris
2001 : Musée Le Grand Hornu, Bruxelles
Links :
David Gill Gallery
Christies
Sothebys
Ad Magazine

Garouste Bonetti, new version 2025 of the iconic Moon lamp, minimalist totem-shaped base in white bronze topped with a round translucent glass screen
Garouste and Bonetti, Lamps

Garouste Bonetti – The White Moon Lamp

Lamp Garouste Bonetti . The iconic piece of Garouste Bonetti. Created in the 80’s, this lamp has been exhibited in international museums (Victoria and Albert Museum, London, Whitney, New York, le Grand Hornu, Brussels). It is is also part of the collection of MAD, Musée des Arts Décoratifs, Paris , and of the Centre Pompidou, Paris.New 2025 version in white patina bronze.

Garouste Bonetti, lamp with a base in solid green bronze with the shape of an african totem supporting a sanded circular glass disc
Garouste and Bonetti, Lamps

Garouste Bonetti – Moon Lamp

Lamp  Garouste Bonetti. Creation 1984. Green patinated cast bronze, disc in sand-blasted glass. Emblematic of the barbarian  style, this lamp has become a classic. It has been exhibited at the Pompidou Center and the MAD (Paris), for the exhibition “Années 80”  the Victoria & Albert Museum (London),

By Garouste Bonetti, single daybed in brown wrought iron, bedhead with ornaments in the shape of circles and bars, green fabric, lenght 75 inches, width 32 inches, 2024
Garouste and Bonetti, Seating

Garouste Bonetti  – Daybed

By Garouste Bonetti, Daybed hand-beaten wrought iron frame, produced  by Pierre Basse, ironsmith of Diego Giacometti. Custom dimensions and finishes. Patinas: black, brown, gold, “gun barrel”, or ornaments gilded with yellow or white gold leaf.

Garouste Bonetti, iconic lamp with a base in gold bronze in the shape of an african totem, supporting a sandblasted glass disc
Garouste and Bonetti, Lamps

Garouste Bonetti – Golden Moon Lamp

Iconic lamp Garouste Bonetti created in 1984, in polished gold cast bronze, disc in sandblasted glass. Emblematic of the barbarian style, this lamp has become a classic. It has been exhibited at the Pompidou Center and the MAD (Paris), the Victoria & Albert Museum (London), the Whitney Museum (New York).  

Garouste Bonetti , sculptural lamp in golden bronze with the shade of an enigmatic face and its neck
Garouste and Bonetti, Lamps

Garouste Bonetti – Mask Lamp

 Lamp  Garouste Bonetti with the shape of a mask, in golden patinated bronze, vintage. Iconic piece of the gallery,  created in 1984. Exhibited at the Museum of  Decorative Arts , MAD   in Paris in 2022 for the exhibition “Années 80”. On the cover of the book written by Anne Bony, which is about the gallery published in 2022 at the Editions du Regard.

Garouste Bonetti, minimalist desk with legs in black iron with a K shape, and top in dark wood with 3 drawers
Desks, Garouste and Bonetti

Garouste Bonetti – K Desk

Black square section wrought iron frame punctuated with white gold leaf.Top and drawers in tinted mahogany. Handles covered with white gold leaf. Limited edition 110 X 55, 8 examples + 4 artist proofs. Other dimensions on request.

Garouste Bonetti, rectangular minimalist high table, dark wood top, black wrought iron legs that divide into two forks fixed under the top
Garouste and Bonetti, Tables

Garouste Bonetti – Wood Top Forks Dining Table

 Table Garouste Bonetti . Patinated wrought iron, top in wood. Other patinas: “canon de fusil”, black, gold,or gilded with gold leaf (yellow, white, pink). Custom sizes. Top in wood, glass, marble, or covered with parchment. Produced by the ironsmith of Diego Giacometti, Pierre Basse, who works exclusively for the gallery.    

Garouste Bonetti, big luxurious desk with legs in black iron in a K shape, and top in dark wood and 3 drawers with gold handles
Desks, Garouste and Bonetti

Garouste Bonetti – K Desk with gold

Desk, structure in square-section iron. Top in stained mahogany, handles gilded with yellow or white gold leaf, different wood tops and dimensions on request. Produced by the ironsmith of Diego Giacometti, Pierre Basse, who works exclusively for the gallery.

luxurious baroque Garouste Bonetti sofa, wavy back in green velvet, ornate wooden legs covered in gold leaf
Garouste and Bonetti, Seating

Garouste Bonetti – 3 seater Topkapi Sofa

Sofa with a gold leaf base, buttoned upholstery. Possibilities of other finishes for the base: natural wood, lacquered or gilded with gold leaf. Exists in two sizes: 2m15 and 2m45. This sofa has been bought by the CNAP (Centre National d’Art Plastique) for the permament collection.                                              Back

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